Manila Noir (Philippines)
Fresh noir from one of the most intense, congested, and overpopulated cities in the world.
What people are saying…
“While certain cities in past Akashic volumes might appear to lack an obvious noir element, Manila (like Mexico City, which shares many of the same problems) practically defines it, as shown by the 14 selections in this excellent anthology. As Hagedorn points out in her insightful introduction, Manila is a city burdened with a violent and painful past, with a long heritage of foreign occupation. The specters of WWII (during which the city suffered from U.S. saturation bombing), and the oppressive 20-year reign of dictator Ferdinand Marcos live on in recent memory. The Filipino take on noir includes a liberal dose of the gothic and supernatural, with disappearance and loss being constants.”
—Publishers Weekly (starred review)
“For those who love travel, history, and a little bit of lore, this anthology transports you to the Philippines and is filled with riveting and sometimes dark stories of the capital city.”
—Glamour (Summer Reading pick)
“Suffice it to say that what the Noir series in general, and Manila Noir in particular, does so well is to create a 360-degree mosaic of a place . . . By including so many perspectives, from so many walks of life, Manila Noir makes Manila seem as vibrant, and dangerous, and exciting, and confounding as it really felt to live there.”
“A collection of stories like Akashic’s forthcoming Manila Noir is enough to set a crime-fiction addict’s mouth watering.”
—New York Observer
“Held closely to their breasts by the stories are messy, edged lives flaring out in seemingly random directions. But the 14 stories themselves are all elegant and smooth, like a bladed weapon concealed in a jacket. They strike suddenly but thoroughly, leaving you wounded. Embedded in each story is a deep acceptance of the fantastically flawed life in the big city and a step out of the ordinary . . . Manila Noir is a masterfully crafted anthology that reminds us that, if you truly love your city, you embrace its darkness as much as—if not more than—its brightness.”
“Excellently crafted and woven together, Jessica has compiled a series of short stories that exhibit the perfect setting and story for noir. Wonderful!”
“This Southeast sampler is unique, possessing an overall gritty tone. Each slice of supernatural splendor pulls the reader in with their nontraditional heroes . . . Ultimately, readers get a strong taste of the real Manila and all her dark secrets, wanting more of while being slightly afraid of what she might do next. Manila is the perfect place for noir scenes to occur, and it is easy to get sucked into its deadly nightshade of doom.”
—Criminal Class Press
“[Manila Noir] is among the most moving, effective and altogether noir entry in the entire series.”
“In . . . Manila Noir, the latest addition to Akashic Book’s series of original noir anthologies, poet, novelist, and artist Jessica Hagedorn writes of how ghosts of past occupations, buried secrets, corrupt political dealings, crime, and inequality have shaped the fabric of the Philippine capital city.”
“It is Manila itself—its heat and throb, its particular melange of Asia and America, its poverty and wealth, its diverse neighborhoods, the iconic pan de sal—that is the main protagonist in the collection as a whole . . . every reader—even those with weak stomachs or no particular affinity for noir—is likely to find some that are intriguing, enjoyable or eye-opening.”
—Asian Review of Books
Launched with the summer ’04 award-winning best-seller Brooklyn Noir, Akashic Books continues its groundbreaking series of original noir anthologies. Each book is comprised of all-new stories, each one set in a distinct neighborhood or location within the geographical area of the book.
Original stories by Lourd De Veyra, Gina Apostol, Budjette Tan & Kajo Baldisimo, F.H. Batacan, Jose Dalisay Jr., Eric Gamalinda, Jessica Hagedorn, Angelo Lacuesta, R. Zamora Linmark, Rosario Cruz-Lucero, Sabina Murray, Jonas Vitman, Marianne Villanueva, and Lysley Tenorio.
One of the most populous cities in the world, Manila provides the ideal, torrid setting for noir. It’s where the rich rub shoulders with the poor, where five-star hotels coexist with informal settlements, where religious zeal coexists with superstition, where “hospitality” might be another word for prostitution, where politics is often synonymous with celebrity and corruption, where violence is nothing out of the ordinary and pretty much anything can be had for a price.
From the Introduction by Jessica Hagedorn:
“Manila is not for the faint of heart. Built on water and reclaimed land, it’s an intense, congested, teeming megalopolis, the vital core of an urban network of sixteen cities and one municipality collectively known as Metro Manila. Population: over ten million and growing by the minute. Climate: tropical. Which means hot, humid, prone to torrential monsoon rains of biblical proportions.
I think of Manila as the ultimate femme fatale. Complicated and mysterious, with a tainted, painful past. She’s been invaded, plundered, raped, and pillaged, colonized for four hundred years by Spain and fifty years by the US, bombed and pretty much decimated by Japanese and American forces during an epic, month-long battle in 1945.
Yet somehow, and with no thanks to the corrupt politicians, the crime syndicates, and the indifferent rich who rule the roost, Manila bounces back. The people’s ability to endure, adapt, and forgive never ceases to amaze, whether it’s about rebuilding from the latest round of catastrophic flooding, or rebuilding from the ashes of a horrific world war, or the ashes of the brutal, twenty-year dictatorship of Ferdinand Marcos . . .
Many years have passed since the end of the Marcos dictatorship. People are free to write and say what they want, yet nothing is different. The poor are still poor, the rich are still rich, and overseas workers toil in faraway places like Saudi Arabia, Israel, Germany, and Finland. Glaring inequities are a source of dark humor to many Filipinos, but really just another day in the life . . .
Writers from the Americas and Europe are known for a certain style of noir fiction, but the rest of the world approaches the crime story from a culturally unique perspective. In Manila Noir we find that the genre is flexible enough to incorporate flamboyant emotion and the supernatural, along with the usual elements noir fans have come to expect: moody atmospherics, terse dialogue, sudden violence, mordant humor, a fatalist vision.”
To listen to a radio interview with editor Jessica Hagedorn on The Blood-Jet Writing Hour, please click here.
Click here to watch the Manila Noir launch event at the Asia Society, featuring Jessica Hagedorn, Gina Apostol, Sabina Murray, and filmmaker Ron Morales.
Click here to read an interview with Jessica Hagedorn at Lit Wrap.
Table of Contents
Introduction by Jessica Hagedorn
Part I: Us against Them
Lysley Tenorio, “Aviary,” Greenbelt Mall, Makati
Rosario Cruz-Lucero, “A Human Right,” Intramuros
Lourd de Veyra, “Satan Has Already Bought U,” Project 2, Quezon City
Sabina Murray, “Broken Glass,” New Manila
Angelo R. Lacuesta, “After Midnight,” J.P. Rizal
Part II: Black Pearl of the Orient
Budjette Tan & Kajo Baldisimo, “Trese: Thirteen Stations,” EDSA, Metro Manila
F.H. Batacan, “Comforter of the Afflicted,” Lagro
Jose Dalisay, “The Professor’s Wife,” Diliman
R. Zamora Linmark, “Cariño Brutal,” Tondo
Gina Apostol, “The Unintended,” Ali Mall, Cubao
Part III: They Live by Night
Jessica Hagedorn, “ Old Money,” Forbes Park
Marianne Villanueva, “Desire,” Ermita
Eric Gamalinda, “Darling, You Can Count on Me,” Santa Cruz
Jonas Vitman, “Norma from Norman,” Chinatown
- Subjects: Middle East & Asian Interest, Mysteries & Crime, Noir Series
- Tags: Angelo Lacuesta, Budjette Tan, Eric Gamalinda, F.H. Batacan, Gina Apostol, Jessica Hagedorn, Jonas Vitman, Jose Dalisay Jr., Kajo Baldisimo, Lourd De Veyra, Lysley Tenorio, Manila, Marianne Villanueva, mystery, noir, Noir Series, Philippines, R. Zamora Linmark, Rosario Cruz-Lucero, Sabina Murray