To celebrate the release of Unmentionables by Laurie Loewenstein, we’ve invited organizations to share with us some history related to aspects incorporated in the novel. Today, Laurie talks about her decision to sent her protagonist to volunteer in France with the fictional Fielding College Relief Unit during the Great War. The Fielding College Relief Unit is based on the Smith College Relief Unit, founded in 1917 by Smith College alumna Harriet Boyd Hawes; archivists at Smith College have graciously allowed us to share a photo of and some information about the relief unit.
Read part one of DARK DAYS IN PORT-AU-PRINCE, our Haiti-set noir short story that was written by Haiti Noir and Haiti Noir 2: The Classics contributors in the style of an exquisite corpse, a collaborative writing process in which each author builds a story based upon what his or her predecessors have provided. Haiti Noir contributor Ibi Aanu Zoboi continues this haunting short story.
Read part two of DARK DAYS IN PORT-AU-PRINCE, our Haiti-set noir short story that was written by Haiti Noir and Haiti Noir 2: The Classics contributors in the style of an exquisite corpse, a collaborative writing process in which each author builds a story based upon what his or her predecessors have provided. Haiti Noir contributor M.J. Fievre continues this haunting short story.
Read part one of DARK DAYS IN PORT-AU-PRINCE, our Haiti-set noir short story that was written by Haiti Noir and Haiti Noir 2: The Classics contributors in the style of an exquisite corpse, a collaborative writing process in which each author builds a story based upon what his or her predecessors have provided. Haiti Noir 2: The Classics contributor Roxane Gay kicks off this haunting short story.
To celebrate the release of Colaterales/Collateral by Dinapiera Di Donato, winner of the National Poetry Series’ Paz Prize for Poetry, we asked Ricardo Maldonado, the translator of Colaterales, to talk about his process and his experience with the collection.
Stephanie Stio discusses the creation of the Paz Prize for Poetry and the selection of the prize’s inaugural winner, Dinapiera Di Donato’s Colaterales/Collateral.
