- Hardcover: 160 pages
- Published: 1/5/27
- IBSN: 9781636143378
- Genre: Poetry
Catalog » Browse by Title: T » Tuff Gnarl, Part 2
Eighty-eight collaborative poems ranging from the contemplative to the absurd, from the confessional to the experimental
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Forthcoming: 1/5/27
“What a force-field combo. In poetry’s harmonic mind-word convergence! Sharing the stage and the light many years, it’s wonderful to have these longtime catalysts in the maelstrom-panic-‘punketry’ of these edgy apocalyptic times. Both raw and intimate, their granular images and personal sound. I love the ‘jagged telegram’ of Mike Watt’s passion and Thurston Moore’s lyrical assured structures. All of this from the heart and the lives. A welcome ignited dynamics. Both seeing and feeling lyrics as tough, confessional, vernacular, and speech-based. The ‘experimental prosody of rock’ for this special category and lineage of genius troubadour expression.”
—Anne Waldman, author of Mesopotopia
“Tuff Gnarl, Part 2 is a full-volume detonation that lives in the charged space where poems and songs start to blur. In this electrified exchange, Thurston Moore and Mike Watt tear into language with the same ferocity they’ve brought to stages for decades, forging poems that riff, collide, and burn with raw intelligence. These pieces swagger with punk nerve and deep literary instinct, channeling the spirit of Sonic Youth and Minutemen while carving out something wholly their own. This is poetry as feedback, as friendship, as fearless improvisation—loud, alive, and fully amped.”
—Peter Gizzi, author of Fierce Elegy
“It’s a little witchy, and she knows when to stop, I mean this scene altogether, these two men, the poem looking over its shoulder at some other guys, it’s kinda funny and then it’s all headlines and Watt includes himself in it and he refers to Thurst’s town, London, maybe, it’s all in a song I think, I just noticed they’re numbered, all of them, but ‘where’s rachel, weeping for her children?’ is a very great end, so open this book and read to it.”
—Eileen Myles, author of a “Working Life”
“To live so long and see so much, to carry the weight of memory over so many miles, the strength required to put it onto the page—this is the work. Thurston and Mike do it very well. They always do. They keep watch.”
—Henry Rollins
Since the early 1980s, Thurston Moore (Sonic Youth) and Mike Watt (Minutemen, fIREHOSE) have shared a wild ride through the lightning fields of American underground rock. Moore, a founder of New York City art-rock trailblazers Sonic Youth, was a fierce enthusiast of Watt’s politically astute postpunk trio, the Minutemen, leading to a decades-long kinship across coasts. The two quickly became brothers-in-arms, with Watt’s post-Minutemen band, fIREHOSE, touring extensively with Sonic Youth.
More than forty years later, Moore—who now teaches at Naropa University’s Jack Kerouac School of Disembodied Poetics—approached Watt with a new idea: a poetic collaboration. Recognizing the idiosyncrasy and artful wordplay throughout the history of Watt’s lyric writing—as well as the bassist’s distinct take on linguistics both rustic and surreal—Moore realized such a collaboration could potentially exact a curious mixture of dialogue and magic.
Watt requested titling the tome Tuff Gnarl, Part 2, as the Sonic Youth song “Tuff Gnarl” encapsulated the economy and evocation Watt admired and sought in inventive rock lyricism. The “Part 2” aspect was in reference to the Minutemen’s usage of said quantifier (even when there would never be any apparent “Part 1”).
The resulting collection is a testament to trust and the unspoken bond of respect. Across eighty-eight pieces, Moore and Watt engage in a creative jousting that ranges from the contemplative to the absurd, from inside intimacies and humorous nudges to the confessional and the experimental. Tuff Gnarl, Part 2 is a raw, invigorating dialogue between two legends, bridging the fertile ground between inventive rock lyricism and the avant-garde of modern poetry.
THURSTON MOORE cofounded the band Sonic Youth in 1980. Moore has worked collaboratively with Glenn Branca, Yoko Ono, Merce Cunningham, Cecil Taylor, Rhys Chatham, Anne Waldman, John Zorn, Takehisa Kosugi, John Paul Jones; and in film, with Olivier Assayas, Gus Van Sant, and Allison Anders. He presently records and tours as a solo artist, as well as with various ensembles and his own group; Flow Critical Lucidity is his most recent solo album. Moore is coeditor with Eva Moore of Ecstatic Peace Library. His writings have been published through various imprints, and his memoir, Sonic Life, was published in 2023. He has been on the faculty at the Naropa University summer writing program since 2011. His latest work is Tuff Gnarl, Part 2.
MIKE WATT, born in Virginia in 1957, is the son of a sailor. His family moved to San Pedro, California, when he was eight, and four years later he met D. Boon, whose mother introduced Watt to the bass guitar. D. Boon and Watt started the punk band the Minutemen in 1980, and they played many shows until D. Boon passed away in 1985. Watt would go on to write/record three punk operas, and he played bass with Iggy Pop and the Stooges for 126 months. For the past thirty years, Watt has played in fIREHOSE and other musical outfits and collaborations. He still lives in San Pedro. HIs latest work is Tuff Gnarl, Part 2.