FREE E-BOOK: Download Cape Cod Noir for free through Sunday, June 7!
This week marks the release of Providence Noir — the latest release from Akashic’s groundbreaking Noir Series, edited by award-winning author Ann Hood. This release follows the success of Dennis Lehane’s best-selling Boston Noir and delves the Akashic Noir Series deeper into the underbelly of New England.
Want more noir? You’re in luck: from today until Sunday, June 7, you can download a copy of Cape Cod Noir for absolutely free, right here:
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Praise for Cape Cod Noir:
“Youthful alienation and despair dominate the 13 stories in Akashic’s noir volume devoted to Cape Cod. [It] will satisfy those with a hankering for a taste of the dark side.”
“David L. Ulin has put together a malicious collection of short stories that will stay with you long after you return home safe.”
—The Cult: The Official Chuck Palahniuk Website
Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book.
Brand-new stories by: William Hastings, Elyssa East, Dana Cameron, Paul Tremblay, Adam Mansbach, Seth Greenland, Lizzie Skurnick, David L. Ulin, Kaylie Jones, Fred G. Leebron, Ben Greenman, Dave Zeltserman, and Jedediah Berry.
From the introduction by David L. Ulin:
“Here, we see the inverse of the Cape Cod stereotype, with its sailboats and its presidents. Here, we see the flip side of the Kennedys, of all those preppies in docksiders eating steamers, of the whale watchers and bicycles and kites. Here, we see the Cape beneath the surface, the Cape after the summer people have gone home. It doesn’t make the other Cape any less real, but it does suggest a symbiosis, in which our sense of the place can’t help but become more complicated, less about vacation living than something more nuanced and profound . . .
For me, Cape Cod is a repository of memory: forty summers in the same house will do that to you. But it is also a landscape of hidden tensions, which rise up when we least anticipate. In part, this has to do with social aspiration, which is one of the things that brought my family, like many others, to the Cape. In part, it has to do with social division, which has been a factor since at least the end of the nineteenth century, when then summer trade began. There are lines here, lines that get crossed and lines that never get crossed, the kinds of lines that form the web of noir. Call it what you want—summer and smoke is how I think of it—but that’s the Cape Cod at the center of this book.”
Posted: Jun 2, 2015
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